roadshow rigoletto: sound for film and video

roadshow rigoletto: sound for film and video
NYC, NY 10016
United States

info@roadshowrigoletto.com

Follow us onTwitterFacebook

  • Home
  • Stuff we've worked onClick to open the Stuff we've worked on menu
    • Stuff we've worked on: Page II
    • Stuff we've worked on: Page III
    • Stuff we've worked on: Page IV
  • Stuff We Did: Clips and blips
  • Stuff We Work WithClick to open the Stuff We Work With menu
    • Stuff We Work With: The Equipment Pages II
    • Stuff We Work With: The Equipment Pages III
    • Stuff We Work With: The Equipment Pages IV
    • Stuff We Work With: The Equipment Pages V
    • Stuff We Work With: The Equipment Pages VI
    • Stuff We Work With: The Equipment Pages VII
    • Stuff We Work With: The Equipment Pages VIII
    • Stuff We Work With: The Equipment Pages IX
    • Stuff We Work With: The Equipment Pages XII
    • Stuff We Rent: The Equipment Pages XI
    • Stuff We Rent: The Equipment Pages X
    • Stuff We Rent: The Equipment Pages IXA
  • Stuff We Think WorthwhileClick to open the Stuff We Think Worthwhile menu
    • Stuff We Think Worthwhile: Page II
    • Stuff We Think Worthwhile: Page III
  • Stuff We Need: Blatant Capitalism PagesClick to open the Stuff We Need: Blatant Capitalism Pages menu
    • Money and How It Gets That Way (Apologies to Henry Miller)
  • Stuff That Is Useful
  • Contact Us

Stuff We Work With: The Recorder Pages IV

"The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording - a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.


Excellent Audio Compatibility

In adopting the BWF Broadcast WAV file format, the FR-2 offers what is now the most popular choice for professional recording. It can be set to record mono or stereo files with 16 or 24-bit quantisation over a vast range of frequencies from 22.05kHz for extended recording time up to 192kHz for the highest quality audio acquisition. Transferring files for editing and/or backup is fast and simple via a Compact Flash reader attached to a computer; a PCMCIA slot and/or a CF adaptor - ideal for those editing with a laptop; or indeed the on-board USB port.


Professional Features

The FR-2 incorporates a number of features developed through Fostex’s work in location DVD-RAM recording with the PD-6 and DV40.
Automated file/take naming speeds up time spent naming files between takes on location and complies with both US and Euro clapper board standards. In addition, the inclusion of a ‘pre-record’ buffer (user adjustable) means there should never be another missed take or lost soundbite!

Timecode

The FR-2 can be retrofitted with an optional, fully featured timecode card offering both reader and generator thus turning it into the ideal production and location recorder, whether it be used as a master or backup machine.

All Bases Covered

Excellent audio integrity, fully flexible recording, top quality mic amps, extensive interfacing plus optional timecode prove the Fostex FR-2 has all bases covered.

In Detail

  • Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format
  • Up to 24-bit/192kHz uncompressed recording
  • Includes a unique 22.05kHz sampling frequency setting for extended recording
  • Records to both Type I & II CompactFlash cards and PCMCIA 1.8” hard disk drives*1
  • Fostex’s “File per Take” system with auto scene & take naming/increment
  • Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps
  • 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field
  • Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card
  • Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2
  • Quick and easy on-board file naming or via external keyboard through standard USB keyboard port
  • “Pre-record” loop buffer of approximately 10 seconds*3
  • Easy software update via CF or PCMCIA card with downloads from the internet
  • Optional timecode generator / reader card."

Useful Web Sites

  • Fostex

Fostex_FR2

Fostex_FR2_2

WARNING: If you have any problems accessing these pages, you should probably switch over to IE. Sorry for that. Oh, and yes, it is true that I do love the designs of the opening credits to many of Godard's films. Go figure.

 

 

Copyright 2014 roadshow rigoletto: sound for film and video. All rights reserved.

 

Web Hosting by Yahoo!

 

roadshow rigoletto: sound for film and video
NYC, NY 10016
United States

info@roadshowrigoletto.com

Follow us onTwitterFacebook